From AIGA Insight ~ Topics: chapters, governance, social responsibility
What is AIGA’s mandate for 2014?
As AIGA approaches its centennial in 2014, the membership, leadership and staff have taken a thoughtful and searching look at the organization’s activities, positioning and the design profession’s needs, and have adopted a bold new course for meeting its mission: to advance designing as a professional craft, strategic tool and vital cultural force.
At this year’s leadership retreat, held earlier this month in Portland, Oregon, volunteer board members from more than 60 AIGA chapters nationwide met to exchange ideas and success stories, and to review and discuss the results of six months’ worth of research to determine AIGA’s future. The three-day event culminated with a unanimous and enthusiastic endorsement of a new “mandate” for AIGA—in effect, a roadmap for the organization’s progression over the next five years (and beyond) that will support the profession’s aspirations for relevance, leadership and opportunity.
Between now and 2014, AIGA will plan and budget based on the following elements of the mandate, both at the local and the national level. Many of the actions to achieve these goals are already underway and will become evident to members over the next 18 months:
- AIGA will provide ample opportunities for members to engage in social networking activities, to provide content and make connections. Opportunities will be both online and in person; the AIGA experience will evolve more laterally than from the top down.
- Conferences will shift to more regional and local gatherings; more resources will be invested in the development and distribution of digital audio and video programming. The goal will be to make more content available on the website, with particular attention paid to where the line is drawn for access by nonmembers.
- AIGA will focus on identifying new sources of non-dues revenue, drawing a much clearer line between member and nonmember access to web content. A shift towards accepting “tasteful” advertising on the website will occur; and the online store will become more robust in order to offer chapter- and member-designed products for sale to designers and the public.
- AIGA will build a strong core of programs for professional development, particularly for mid-career designers and in developing leadership skills.
- AIGA will shift to distributing content primarily in digital form, for reasons of sustainability, economics and reach, although members will continue to receive a limited number of signature print pieces each year.
- AIGA will offer daily online examples of design excellence, with opportunities for member input as well as expert jury opinion. Design excellence will be embodied in criteria of aesthetics, creation of value for clients and social responsibility.
- AIGA will find better and easier ways for designers to assume a role in the broader business, social and cultural environments, both in the United States and abroad. AIGA will continue to develop collaborative relationships with organizations outside the design field, to expand appreciation of the value of design and to seek a leadership position for its members in international design forums and ventures for social change.
This is an exciting point in AIGA’s history. These changes will create a vigorous presence for AIGA in supporting the profession, with new vitality, currency and impact. Although it signals a change in some traditional activities, many of which are valued by long-time members, it will also encourage greater engagement by emerging designers, generate new opportunities for community and reinforce the profession’s ability to enhance its own future as a profession.
-
I read through the seven goals carefully and with great interest. They are all admirable and worthy. But something seems to be missing. Maybe it is under "creation of value for clients" or "assuming a role in broader environments." My firm's clients include leading cultural and nonprofit organizations as well as corporations. I don't think any of them have heard of the AIGA. They have no idea that there is a professional association for design, or that there might be a benefit to working with a designer who is a member. The ASID has done a pretty good job of informing the public that they will get more professional results when hiring an interior designer who is a member of the ASID. Most of this has come about by running ads in consumer "shelter" magazines. It is more important than ever for the AIGA to do the same. AIGA ads should be running in business magazines and other publications that clients read and sites that they frequent. In addition to us, it is clients who should see the content, be invited to the events, see examples of the excellent work.
-
I agree with Ellen, in that AIGA's profile outside the design community (read: business world that butters our bread) is not well-known. Though our organization is the leading advocate for design and offers our members a great deal of value, we do not enjoy validation from the business world in the same way that the AMA or ASID is known to businesses who work with doctors or interior designers.
To rectify this will require a clear, consistent and understandable case, and the resources needed to present it using the right channels. We have a strong case to make for choosing qualified, professional design as a value-added strategy for business success. But we've got to take it to decision-makers; we can't suppose they will come to us. -
I'm going to have to disagree with Ellen. The reason that there is no prestige behind an AIGA membership is not that AIGA doesn't do enough advertising in outside publications (though, as Michael points out, that may be a good thing to do for other reasons). The reason is that there are no standards for being an AIGA member outside of being able to pay the $300 yearly dues. That's fine, and it's clearly worthwhile to members like me, but it doesn't confer with it the standing of membership in, say, the AIA, which requires its members to have achieved certain criteria before it will grant membership. I guess what I'm trying to say is that, with no other membership criteria than a working credit card, there will never be any promotional value in being an AIGA member—nor should there be.
Otherwise, this looks like a pretty good list. I am especially pleased with the "shift to more regional and local gatherings". With no offense to Ric and the other hard-working folks on the national level, the local chapters are where members interact with AIGA. We need to put more resources into funding the efforts of the local chapters. For the national organization to become more relevant than just a website and some discounts, it needs to engage with the local chapters more. -
Michael, as I recall you had presented at the Portland OR retreat an intention that AIGA develop some tangible case-studies that 'demonstrate' the 'value' of design. What better way to approach new business than to have some before and after shots - visual and ROI - showcasing where design was effective if not instrumental in solving a business problem. That said, I believe the key is collaboration - the combination/integration of thoughtful marketing along with design (not to mention old and new media vehicles) that pulls it all together. We live in a cross-media world - the more we can harness the tools to develop creative content across media - and market with conscious alignment, the more effective our communications will be. The collaborative spirit expressed in the last bullet point of the mandate seems essential to future success.
-
"...[AIGA] is the leading advocate for design..."
Though I am not about to argue this fact, it still deeply saddens me that the AIGA, in current state, is the leading advocate for design. As a young designer placed in positions without any mentors or role models for how the business of design should be handled, I have found far more (free, and especially more helpful) information from the UK's Design Council. If AIGA offered this caliber of information, I wouldn't think twice about skipping a few bills to pay for the yearly membership (which my previous positions have not offered).
"AIGA will build a strong core of programs for professional development, particularly for mid-career designers and in developing leadership skills."
What about developing the education of recent graduates or those in situations such as mine that require acrobatic skills just to advance one's own knowledge? This last quote suggests some sort of concern for those who need to be led, but the rest of the goals completely contradict it. -
Can't wait to see the upcoming changes take place. It is hard to pave the way in the design industry. Having one of the top web design resources (directory) ourselves, we have been through the hurdles of creating an industry instead of being a part of it. You are either a leader or a follower.
-
Thank you for all that you are doing for the young designers.

Comments